This sketchbook spread started out as a field sketch practice, an attempt to sketch a subject that will be still, unlike the birds I enjoy painting. It gave me much more.
In addition to the memories that unfolded, it pulled me deeper into this prolific and hardy plant, its beauty, shape, shadows and color. I still wonder how it manages to withstand the cold winter. I learned that this has something to do with its ability to store water and a unique metabolic process that happens when the temperature drops. But in my brief research, I didn't learn enough to explain it to anyone.
I am often drawn to the visual detail of a subject, so much so, that it is sometimes hard for me to shift my focus out, allowing the loose sketch work its magic. I love this aspect of art, especially in watercolor. It is a challenge for me to hold on to this awareness as I paint.
When I added detail to the left group of flowers, I wasn't happy with the result. It pulled my eye away from what I found to be the most captivating part of the sketch, the top and right group of flowers that spilled over the side. The overall effect was "too busy".
So for this occasion, I pulled out my soft scrub brush and "erased" the added detail. I liked this area much better flowing loose with just a hint of shadow and shape.
Above you see the area after it's been scrubbed. And below, the same area with replacement color added. I couldn't recapture the freshness of what was there before, but I did restore some subtlety.
The final sketch gives me a lot of information for future reference. Below you see the original sketch created on the patio on the left, the final sketch on the right. See what you think.
For more information about using a scrub brush visit: Sketching a Limpkin. For more about negative space visit: Search for a Swainson's Warbler. The first post on this sketchbook spread is: My Brother's Plant
Showing posts with label Brother's Plant. Show all posts
Showing posts with label Brother's Plant. Show all posts
Saturday, March 5, 2011
Brother's Plant--Part III
Labels:
Brother's Plant,
negative space,
scrubbing,
sketch study
Thursday, March 3, 2011
Brother's Plant--Part II
My unfinished sketch of the pot of hen-and-chicks is moving forward in interrupted increments, as in, whatever time I can grab before and after office hours.
I discover as I paint, what kind of mood I'm in. Sometimes I'm satisfied with a very loose and undefined result, other times I want to see more detail. Most often I like a combination. In this case, I was drawn to the rosette shapes of the flowers and the spilling over, the cascading of the rosettes as they multiply. So I printed a black and white copy of one of my photographs and sketched some rosettes in pencil on the sketch page to get a better feel for their layered petals.
I discover as I paint, what kind of mood I'm in. Sometimes I'm satisfied with a very loose and undefined result, other times I want to see more detail. Most often I like a combination. In this case, I was drawn to the rosette shapes of the flowers and the spilling over, the cascading of the rosettes as they multiply. So I printed a black and white copy of one of my photographs and sketched some rosettes in pencil on the sketch page to get a better feel for their layered petals.
Next, I wanted to reclaim some of the rim of my pot from the too-wet wash that spilled over the edge, as well as, the edge of the lower opening of the pot. Above you see the small size scrub I used. For more about this scrub brush and the process of scrubbing see the link at the end of the post. Below you see the result of lifting out some of the paint with the use of my scrub brush, water, and a tissue for blotting.
I created some loosely defined rosettes in the top of the pot with negative painting, that is, painting the space around the petal rather than the petal itself. This is fun. I believe negative painting and softening edges are two of my favorite approaches to painting.
Below, you see the page spread as it looks today--still unfinished, but becoming more of what I want to see on the page.
For more about using a scrub brush visit: Sketching a Limpkin. For more about negative space visit: Search for a Swainson's Warbler. The first post on this sketchbook spread is: My Brother's Plant
Sunday, February 27, 2011
My Brother's Plant
I believe the commonly used name is "Hen and Chicks", a rosette shaped succulent that reproduces miniatures of itself, looking like many off-spring. Though not native to North America, this is a hardy little plant.
We've had more days of sub-freezing temps this winter than I remember in a long time. As the weather has warmed, I set the pot of hen-and-chicks out in the garden so it could receive some of the rain we were expecting. On Thursday, a falling tree missed it by inches. I was stunned. With branches curling up all around it, it sat upright and unscathed. I brought it back to the shelter of the patio.Early in the afternoon today, I took my journal outside and wrote:
"Gorgeous day. The sky is gray, full of moving clouds made invisible by the rain. Thunder keeps rumbling from the west and the light changes frequently, the sun breaking through a high layer. I couldn't be more content. I'm on the patio listening to rain falling down the gutter, pattering in the trees, titmice singing, a bluebird in the distance.... I'm comfortable in a double layer of long sleeves, no coat, no shivering. Three windows are open in the house and I have successfully made a home for my cedar chest treasure. It is a great relief to have it no longer the center piece in the living room [while I decided where to put it], to have an open floor again....Mother always called it the cedar chest. She gave it to my brother. My brother has now given it to me."
When I walked outside again later, I had the urge to sketch this plant. For one thing the outside air was so inviting. But I was also marveling at the plant's hardiness, thinking about my brother, feeling a wave of sadness wash over me, and noticing once again, the simple texture scratched into the clay, the loveliness of the piles of rosettes in their container. Suddenly, I realized why I had been feeling so sad. March has all but arrived. On March 3rd, it will be a year since my brother died.
The unconscious is an amazing creature. So many times it takes us where we need to go, whether we are paying attention or not. I had not considered the date that is approaching, nor that my grief might have a reason for intensifying. Nor had I considered why I was so drawn to this plant today. It lived on my brother's porch and invited me to bring it home. I am so happy I did.
After making a rough sketch, I wet the paper and added paint. Getting the paint juicy enough was a challenge since my small kit had not been used in a while. I didn't bring a spray bottle outside with me. It's a little slower to shake water from a paint brush into the pans, but it works just the same.
It is still unfinished, though I like the loose quality of it as it is. I would like to study some of my photo images of the rosettes, and sketch one in more detail. Then we'll see what happens next.
To see all three post in the series click: Brother's Plant
Wiki on Hen and Chicks
To see more patio sketching visit Seeing a Lantana.
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