Watercolor Nature Journaling Workshop

Join me for a fun day of exploring nature with watercolor on April 8th at the Chota Recreation Center, Tellico Village in Loudon, Tennessee.

Nature journals are the earliest source of information that we have about our natural world.  Holding a journal in one's hand evokes emotion and awe because we innately relate to the sensory details captured in the artists words and images.  The added bonus to creating our own journals?  We see and enjoy more deeply and that comes with calming health benefits!

Join me for a relaxing day of exploring watercolor and nature. We will review helpful sketching techniques, use of values, basic watercolor washes, negative painting, representation of sky, clouds, rocks and trees, and choice of colors for the season. Using all our senses to enhance our observations, we'll leave our traditional artist fears behind and enjoy a day of exploring nature with watercolor.

The workshop is sponsored by the Art Guild of Tellico Village.  Visit this link to sign up!  
For more information about the workshop and the guild visit:  the Art Guild of Tellico Village Workshops

Red-shouldered Hawk Territory--The Treasure in the Experience

Sometimes we search for the wild in nature and travel to places where we'll likely find the species we're eager to meet.  Other times the wild comes to us quite unexpectedly.

This was the case with a pair of red-shouldered hawks I encountered in a suburban yard while attending a meeting in the spring of 2009.  Not just one hawk, mind you, but a pair of them, moving around within close range, vocalizing loudly as I walked down the driveway to where my parked car waited on the curb.  That they made themselves so visible and apparent was beyond my comprehension.  And for someone like me, who loves birds, especially raptors, that accessibility equated to an invitation to learn more about their lives and their adaptation to suburban activities in their territory.

Above you see two image I took as I watched the male in the pair hunt on our third encounter.  Gorgeous birds that both hunt from a perch and on the ground, flipping leaves, listening and watching for movement, and  blending in with the environment. The fact that this species of hawk is very vocal, makes observations even more delightful.  Though their color and patterns allow them to disappear in the wooded habitat they prefer, sooner or later a loud call will alert you to their presence. The suburban location, this chance encounter, their adaptation to human presence and activity, all came together to allow me opportunity to witness the most intimate of moments with this pair.  And those moments included nesting, copulation, nuptial feedings, plucking fresh evergreen sprays for the nest, and even seeing the bare pink flesh of the female's brood patch through my camera's lens.

From a surprise introduction to completed sketches, to the beautiful printed sketchbooks that arrived this week, this was a memorable journey I will always treasure.  All I could say when I held one of these books in my hand was "wow!"

I'm a person who loves books, the books with a spine and pages you can leaf through, the ones you curl up with in a comfortable chair.  I think they are precious.  I love reading them, writing them, and, I love sketching and creating them.

The making of a book brings other skills to bear and can make an artist dig deeper to realize this goal.  This endeavor is one of determined cooperation and negotiation, as much about patience, communication, and team work, as the artistic vision that conceived the idea and moved the project forward.   And now I've found the right team (see links and resources).  The book is beautiful, so life-like in its replication of the sketchbook itself, that it's hard to tell the difference between the original book and it's mirror in print.    

And that makes me smile.  It is the greatest hurdle you go through in printing art in any form.  And this book is about art and nature, about observing and capturing what you've observed in words and drawings, and about learning what your subject has to teach you, even the parts you are not allowed to know.

It's a tiny book, by book standards, replicating the size of the sketchbook, but enormous in heart and inspiration.  I look back on this endeavor--the observing of hawks, most secretive and illusive of creatures--and wonder at the energy and patience that got me through this season of observation.  That I could sit in the shade of a gazebo, and watch their activity as though I were a plant in the garden, astounded me from the beginning.

The observations you see in the book took dedication, the commitment to sit through non-activity hours, make regular visits a priority, the ability to remain still until my subjects appeared and to use my creative mind and curiosity to withstand lulls in activity.  Waiting for the chance to see a hawk and watch its behavior, now that might be an activity some would call a waste of time.  The thought crossed my mind more than once.  But even the wait can be an act of labor, something that keeps you deeply rooted to the project and makes you as determined as ever to see it through.

Creating art is not an activity for the faint of heart.  It challenges you inside and out, especially when that art is focused on something real, and alive and moving, and unpredictable.  You, the artist, are the same, alive, moving,  unpredictable.  But you have trained yourself to be still, knowing what treasures are found while remaining invisible.  And just when you think you might evaporate into nothingness with the waiting, a hawk appears, opens your heart and heightens all your senses.  And a sketch is born, a visual story of all that you've taken in.  Into your heart the hawk flies, and out through your hand and onto the paper.  

This is the essence of Red-shouldered Hawk Territory, A sketchbook journey through nesting season--the story of one season's natural wonder through the heart and hand of an artist.  I hope it inspires you to pick up a sketchbook and let your own story unfold.  

For more details about this sketchbook and to order visit:  Red-shouldered Hawk Territory.  

You will find all my posts on my experiences in Red-shouldered Hawk territory by clicking this link.  The last post will appear first.  Scroll to the bottom and click "older" to move backward to the first post.  

For more information about the species, visit Cornell's site on Red-shouldered Hawks.    

Sketching Hummingbirds in Flight

I have had the pleasure of enjoying plentiful hummingbirds during this migration season.  What a joy!  Hummingbirds from the northern states and Canada begin migrating through Tennessee as early as July, but the largest numbers of migrants have been moving through this month.  So I've taken this opportunity to sit outside with them and enjoy them as often as I can and last weekend, I tried sketching them while I watched.       

Ruby-throated hummingbirds beat their wings at a rate of 40-80 beats per second, and their flight speed varies from 30 to 50 mph.  Add to that, the fact that they are high-tempered and very territorial when it comes to their nectar source and you have a busy subject.  Fortunately, they do hover in place from time to time, perch, and sometimes settle down for brief periods to drink.  With as many as a dozen visiting the feeders at once, there was no shortage of  replacement subjects when the one I was sketching disappeared.        

It was also fascinating to notice how my approach to sketching changed during this experience, as memory and focus adjusted from sketching a still subject to trying to capture one that is constantly in motion.  My focus gradually began to narrow as effort continued, and I settled on capturing simple lines, like the curve of the back, the shape of the tummy, the spread of the tail feathers, or the line of the top of the head.  

It is while you're sketching that you begin to "see" differently, turning off symbolic memory and concentrating on what you're actually seeing right in front of you.  And then your focus naturally zooms in, discarding unnecessary details, getting down that shape you've been searching for, no matter how many tries and birds it takes to capture it.  While doing this you are relying heavily on your visual memory and your mind begins to fine-tune its focus, simplifying shapes to accommodate the speed with which you're observing.       

After I had sketched for more than an hour, I took a break and picked up my camera and snapped images, paying little attention to light or focus, simply trying to capture some of the same flight shapes I had seen while sketching.   When I came inside, I created a digital file of a six of these images, set them into motion as a slide show on my laptop, and sketched them while the slide show was in motion.  I was surprised and delighted at how easy it became to capture the shapes at this speed, a speed far slower than the birds, themselves.  At the slide show speed of several seconds per image, sketching seemed effortless!  I would not have felt that way prior to my attempt to sketch the hummers outside.    

It is hard to explain the satisfaction I felt after this effort.   Not only did it provide a wonderful opportunity to see hummingbirds differently, it was a discovery in learning, in understanding not only the abilities within the mind to adjust visual memory to what is needed to capture the subject, but the amazing amount of information that is gleaned while experiencing a subject with that kind of focus. The last image you see above is my favorite.  Even though it was sketched from the slide show, it was sketched with an ease I had not experienced before, and that was fun!  That's when I realized how much I had learned!

To see more of my hummingbird sketches and paintings, visit:  Hummingbirds